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Persepolis 2: The Story of a Return, by Marjane Satrapi
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In Persepolis, heralded by the Los Angeles Times as “one of the freshest and most original memoirs of our day,” Marjane Satrapi dazzled us with her heartrending memoir-in-comic-strips about growing up in Iran during the Islamic Revolution. Here is the continuation of her fascinating story.
In 1984, Marjane flees fundamentalism and the war with Iraq to begin a new life in Vienna. Once there, she faces the trials of adolescence far from her friends and family, and while she soon carves out a place for herself among a group of fellow outsiders, she continues to struggle for a sense of belonging.
Finding that she misses her home more than she can stand, Marjane returns to Iran after graduation. Her difficult homecoming forces her to confront the changes both she and her country have undergone in her absence and her shame at what she perceives as her failure in Austria. Marjane allows her past to weigh heavily on her until she finds some like-minded friends, falls in love, and begins studying art at a university. However, the repression and state-sanctioned chauvinism eventually lead her to question whether she can have a future in Iran.
As funny and poignant as its predecessor, Persepolis 2 is another clear-eyed and searing condemnation of the human cost of fundamentalism. In its depiction of the struggles of growing up—here compounded by Marjane’s status as an outsider both abroad and at home—it is raw, honest, and incredibly illuminating.
- Sales Rank: #355456 in Books
- Brand: Satrapi, Marjane
- Published on: 2004-08-31
- Released on: 2004-08-31
- Original language: English
- Number of items: 1
- Dimensions: 9.20" h x .90" w x 6.40" l, .99 pounds
- Binding: Hardcover
- 192 pages
Amazon.com Review
Picking up the thread where her debut memoir-in-comics concluded, Persepolis 2: The Story of a Return details Marjane Satrapi's experiences as a young Iranian woman cast abroad by political turmoil in her native country. Older, if not exactly wiser, Marjane reconciles her upbringing in war-shattered Tehran with new surroundings and friends in Austria. Whether living in the company of nuns or as the sole female in a house of eight gay men, she creates a niche for herself with friends and acquaintances who feel equally uneasy with their place in the world.
After a series of unfortunate choices and events leave her literally living in the street for three months, Marjane decides to return to her native Iran. Here, she is reunited with her family, whose liberalism and emphasis on Marjane's personal worth exert as strong an influence as the eye-popping wonders of Europe. Having grown accustomed to recreational drugs, partying, and dating, Marjane now dons a veil and adjusts to a society officially divided by gender and guided by fundamentalism. Emboldened by the example of her feisty grandmother, she tests the bounds of the morality enforced on the streets and in the classrooms. With a new appreciation for the political and spiritual struggles of her fellow Iranians, she comes to understand that "one person leaving her house while asking herself, 'is my veil in place?' no longer asks herself 'where is my freedom of speech?'"
Satrapi's starkly monochromatic drawing style and the keenly observed facial expressions of her characters provide the ideal graphic environment from which to appeal to our sympathies. Bereft of fine detail, this graphic novel guides the reader's attention instead toward a narrative rich with empathy. Don't be fooled by the glowering self-portrait of the author on the back flap; it’s nearly impossible to read Persepolis 2 without feeling warmth toward Marjane Satrapi. --Ryan Boudinot
From Publishers Weekly
Part one of Satrapi's autobiographical graphic novel found her surviving war, the Islamic Revolution, religious oppression and the execution of several close friends. If part two covers less traumatic events, it's also more subtle and, in some ways, more moving. Sent by her liberal, intellectual parents from Tehran to Vienna to get an education and escape the religious police, rebellious but vulnerable teenage Satrapi learns about secular freedom's pitfalls. Struggling in school, falling in with misfits and without a support group, she ends up dealing drugs for a boyfriend and eventually finds herself homeless on the streets. Forced to return to Iran, Satrapi must once again take up the veil, but learns to live within the constraints of her native land, which border on the surreal. For instance, while Satrapi's racing to catch a bus, the religious police tell her to stop running so her bottom doesn't make "obscene" movements. "Well, then, don't look at my ass!" she angrily responds. The book's cornerstone is her relationship with her parents, who seem to have enough faith in her to let her make the wrong decisions, as when she marries an egotistical artist. Satrapi's art is deceptively simple: it's capable of expressing a wide range of emotion and capturing subtle characterization with the bend of a line. Poignant and unflinching, this is a universally insightful coming-of-age story.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Adult/High School–In Persepolis:The Story of a Childhood (Pantheon, 2003), Satrapi vividly described her early life in Iran. This second installment covers the period after the 1979 Revolution when, at 14, she was sent to Vienna for a freer education than that allowed in her newly fundamentalist country. At first, the distinct differences in her life were overwhelming and exciting. During the next four years, she made new friends, some very liberal and some quite conservative, had several relationships, became increasingly aware of the sexual freedom of her new milieu, and even dealt drugs for a boyfriend. Eventually, she ended up living on the streets. She became ill and returned home, a somewhat liberated 18-year-old in a repressive land. She married, mistakenly thinking that would allow her freedom, and graduated from art school. At the end of this volume, feeling out of place in her homeland and unhappy in her marriage, she has divorced and is preparing to move to France with the blessing of her understanding parents. (A third volume is soon to be translated.) Satrapi's simple-seeming, black-and-white drawings add a surprisingly expressive depth to her already compelling story. Teens will appreciate this memoir on many levels, identifying with the feelings of alienation and misunderstanding, if not the actual events. Young people who have had to flee to new environments will identify even more.–Susan H. Woodcock, Fairfax County Public Library, Chantilly, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Thoughtful Continuation
By myz
I very rarely read graphic novels (mostly because I don't even know where to begin with the genre - recommendations welcome!). I did, however, really enjoy Persepolis I, which, though undeniably biased, is informative and done in a manner that I think is very accessible and might be good to teach in school. Persepolis II picks up pretty much where the first volume ended, with Marjane as a teenager, making a life in Europe. The first book's plot and setting were more foreign to me, which made it more potent, whereas I know the places Marjane lived in and visited in Europe and found her portrayal of them, at times, skewed and her criticism of most Europeans in general a little unfair. Nonetheless, she is recounting her experience and her views as a teenager, and I don't want to discount how she lived through this time at all. I did not always like Marjane, but her story was still fascinating to read. Definitely recommended!
4 of 5 people found the following review helpful.
This floored my 11 year niece and my 76 year old mother. It's brilliant and timeless.
By Frank L. Greenagel II
This is part 1 of a 2 part story. Ms. Satrapi's masterpiece is one of my favorite works in all of comics. I read this when it came out and foisted it upon all of my comic reading friends. I gave a copy to a niece several years ago, and then recently bought another copy for another niece for her 11th birthday (I'll hold off on part 2 for her until she is 14). Because I had given it to both nieces, my 76 year old mother decided to read it. She is a retired English teacher, and she was floored at how good the story was and how powerful the medium of comics are in telling a story. Persepolis ended up jumpstarting my mother's interest in comics, and in the following weeks she read all three volumes of March, both volumes of Maus, the Story of My Tits, Chicken with Plums, and Two Brothers (this last one confused her, but she loved everything else).
So, there you have it. This floored my 11 year niece and my 76 year old mother. It's brilliant and timeless.
0 of 0 people found the following review helpful.
Fantastic read!
By Sarah A.
I read this in high school and it was amazing. This is a graphic novel that will help you understand the history of Iran and the revolution. Graphic novels are so great in conveying complex ideas. The quality of the book is great -- I think the materials have changed since I last read it. Anyhow, it's really good and I definitely recommend.
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