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Senin, 27 Oktober 2014

[Y333.Ebook] Get Free Ebook The Zookeeper's Wife: A War Story (Movie Tie-in) (Movie Tie-in Editions), by Diane Ackerman

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The Zookeeper's Wife: A War Story (Movie Tie-in)  (Movie Tie-in Editions), by Diane Ackerman

The movie The Zookeeper’s Wife, based on the New York Times bestselling book, opens March 2017.

1939: the Germans have invaded Poland. The keepers of the Warsaw zoo, Jan and Antonina Zabinski, survive the bombardment of the city, only to see the occupiers ruthlessly kill many of their animals. The Nazis then carry off the prized specimens to Berlin for their program to create the “purest” breeds, much as they saw themselves as the purest human race. Opposed to all the Nazis represented, the Zabinskis risked their lives by hiding Jews in the now-empty animal cages, saving as many as three hundred people from extermination. Acclaimed, best-selling author Diane Ackerman, fascinated both by the Zabinskis’ courage and by Antonina’s incredible sensitivity to all living beings, tells a moving and dramatic story of the power of empathy and the strength of love.

A Focus Features release, it is directed by Niki Caro, written by Angela Workman.

8 pages of illustrations

  • Sales Rank: #342 in Books
  • Brand: W. W. Norton & Company
  • Published on: 2017-02-07
  • Released on: 2017-02-07
  • Original language: English
  • Dimensions: 8.30" h x 1.10" w x 5.50" l, 1.00 pounds
  • Binding: Paperback
  • 384 pages
Features
  • The Zookeeper's Wife: A War Story (Movie Tie-in Edition)

Review
“It is no stretch to say that this is the book Ackerman was meant to write.” (Los Angeles Times)

“Diane Ackerman has surpassed even herself in her latest book, which is alternatingly funny, moving, and terrifying. This powerful thriller would be a great novel--except that it is true.” (Jared Diamond)

About the Author
Diane Ackerman has been the finalist for the Pulitzer Prize for Nonfiction in addition to many other awards and recognitions for her work, which include the best-selling The Zookeeper's Wife and A Natural History of the Senses. She lives in Ithaca, New York.

Most helpful customer reviews

18 of 19 people found the following review helpful.
Just started reading and already CAN'T PUT IT DOWN!
By JenGee
Just started reading and already CAN'T PUT IT DOWN! I love how Ms. Ackerman captures small details, that really do help the reader visualize what is being read (authors are amazing)! Looking forward (not really, hate when great books have to end) to finishing and then watching the movie! Kudos to Diane Ackerman on a well written book!

Will post an updated review once I am done, but unless Amazon adds a 6th star to the rating, I can assure you, you won't want to put it down either!

HIGHLY, DEFINITELY RECOMMENDED!

7 of 7 people found the following review helpful.
Zookeeper's wife
By Dr. Jack Kushner
This is such a good book I could not put it down. Such a clever idea to tell the story of the zoo and the Warsaw experience under Nazi rule. I look forward to the movie as I want to see how th e y made a movie from this book. Jack Kushner

4 of 4 people found the following review helpful.
A BOOK FOR ALL TIME
By Judith V
This book is one of the best that I have read in a long time. Because it is solidly based on a true story, the author Diane Ackerman having read numerous journals by the heroine and other historical references, I simply could not quit reading. I learned SO much about what happened to Warsaw AND Poland AND the zookeeper Jan Zabinski AND his wife Antonina AND their animals as a result of the Nazi invasion, I almost felt as if I were living the horrifying reality. Despite the fact that Jan and Antonina were not Jewish themselves, their assistance to their Jewish friends can only be seen as both remarkable and INCREDIBLY heroic. I CANNOT REMEMBER ANOTHER BOOK WHICH AFFECTED ME SO DEEPLY; it is simply superlative. I can only hope that the script for the upcoming movie was supervised by Diane Ackerman herself.

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Jumat, 24 Oktober 2014

[H317.Ebook] Download PDF Russian Phrases For Dummies

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  • Binding: Paperback

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Jumat, 17 Oktober 2014

[P322.Ebook] Download Chutzpah & Chutzpah: Saatchi & Saatchi: The Insiders' Stories, by Richard Myers, Simon Goode, Nick Darke

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Chutzpah & Chutzpah: Saatchi & Saatchi: The Insiders' Stories, by Richard Myers, Simon Goode, Nick Darke

This is the story of the rise and rise of advertising giant Saatchi & Saatchi as it has never been told before. With more than 200 astonishing first-hand accounts from the people who were really there, this is a fascinating insight into a remarkable success story and an unorthodox business. Responsible for generating some of the most memorable and groundbreaking advertising of the last 50 years, Saatchi & Saatchi became infamous in their own right. Made up of maverick thinkers and ingenious talent, they broke rules and won big pitches, attracting the business of some of the world’s most successful companies. For the first time, the extraordinary story of Saatchi & Saatchi’s meteoric rise is told by those instrumental in its success—creatives, account handlers, PAs, and directors—each with their own fascinating stories to tell.

  • Sales Rank: #3411035 in Books
  • Brand: imusti
  • Published on: 2017-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.15 pounds
  • Binding: Hardcover
  • 208 pages
Features
  • MICHAEL O'MARA BOOKS

About the Author
Richard Myers, Simon Goode, and Nick Darke are retired directors of Saatchi & Saatchi. Between them, they clocked up around 100 years with the company.

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1 of 1 people found the following review helpful.
Breathtaking, in so many ways
By Mikey
Having been at Saatchi & Saatchi for the best part of 20 years, this is a heady roller-coaster ride through the headiest period in Advertising.

I thought it would be a nostalgia trip, meandering from anecdote to anecdote, but it's more like dodgems meet stock-cars, head on.

This is clearly only the tip of the iceberg that was the most irreverent, most creative, and most fun place to work - but the hard-working hard-playing emphasis on producing truly inspiring communications shines through. [And the picture that builds up is recognisably of the most supportive work environment I've ever experienced.] Beautifully produced and illustrated too.

Sip it rather than gulp it, and git y'self inspired in the process.

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Selasa, 14 Oktober 2014

[T584.Ebook] Free PDF Chasing the Prophecy (Beyonders), by Brandon Mull

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Chasing the Prophecy (Beyonders), by Brandon Mull

The #1 New York Times bestselling Beyonders fantasy trilogy comes to a stunning and epic conclusion.

Jason and Rachel were not born in Lyrian. They did not grow up in Lyrian. But after all of the battles and losses, the triumphs and adventures, and most of all, the friendships forged in this fantastical world, Lyrian has become home to them in a way they never could have imagined.

And so, armed now with the prophecy of a dying oracle, they have gone on their separate quests—each surrounded by brave and powerful allies—knowing that the chance for success is slim. But Jason and Rachel are ready at last to become the heroes Lyrian needs, no matter the cost.

Packed with thrills, action, and drama, this third and final installment of Brandon Mull’s #1 bestselling Beyonders trilogy brings the series to a gripping conclusion.

  • Sales Rank: #79512 in Books
  • Published on: 2014-02-04
  • Released on: 2014-02-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.63" h x 1.40" w x 5.13" l, .75 pounds
  • Binding: Paperback
  • 528 pages

From Booklist
Jason and Rachel, teens who entered Lyrian by chance in A World without Heroes (2011) and stayed to fight for its inhabitants’ freedom from the emperor in Seeds of Rebellion (2012), now risk their lives to fulfill the prophecy that offers the only gleam of hope. Those who enjoyed the many action scenes in the previous books will find plenty here as well, though the characters also spend a good deal of time in reflection and conversation. The question of whether to trust the prophecy looms large. While this volume concludes the Beyonders series, Mull leaves the door open for another series set in Lyrian. Grades 5-8. --Carolyn Phelan

About the Author
Brandon Mull is the author of the New York Times, USA TODAY, and Wall Street Journal bestselling Beyonders and Fablehaven series, as well as the bestselling Five Kingdoms and Candy Shop Wars series. He resides in Utah, in a happy little valley near the mouth of a canyon with his wife and four children. Brandon’s greatest regret is that he has but one life to give for Gondor.

Excerpt. � Reprinted by permission. All rights reserved.
Chasing the Prophecy CHAPTER 1 ACOLYTE
Rachel�.�.�. help me�.�.�. Rachel, please!

Rachel awoke, clutching her covers. She sat up on the soft mattress. Shadows shrouded her bedchamber. The telepathic voice in her head was unfamiliar. The female speaker was not Corinne, and not Ulani, who had recently learned to transmit simple thoughts over short distances.

Who are you? Rachel conveyed with all her will.

Rachel! I can’t hang on much longer.�.�.�. Come now�.�.�. please hurry!

Despite the urgency behind the message, the mental outcry was fading. Rachel had worked with several of the acolytes on speaking in silence, but so far only Ulani had succeeded. Was it possible that in a desperate moment one of the girls had unlocked the ability? Rachel slept in the area of the temple set apart for the acolytes. They were all relatively near. Who else at Mianamon would be able to contact her like this?

Apart from the words in her mind, the night was still. No sounds intruded from outside her room. Mianamon was not under attack. So what was the problem?

Who is this? What’s wrong?

The words came weakly, the mental equivalent of a whisper. Kalia. Training room. I tried a strong command. Failed. I hurt all over.�.�.�. Don’t tell the others.�.�.�. Please help me.

Kalia. Rachel had trained with the acolytes for months. Most had only a hint of Edomic talent. None had a natural ability like Rachel, but Kalia was among the more promising. On more than one occasion Rachel had tried to teach her to speak in silence.

Hold on. I’m coming.

Speaking an Edomic word, Rachel lit a bedside candle, then rose and shrugged into her acolyte robe. Kalia must have slipped down to the training room in the night for some extra practice. She must have attempted something too ambitious and lost control of the command. Rachel knew firsthand how debilitating the consequences of a failed Edomic directive could be.

If Kalia could still find the strength to call out mentally, she probably wasn’t fatally injured. But that didn’t mean she might not feel like she was going to die.

Rachel spoke another command, igniting a clay lamp. Picking it up, she unlocked her door and stepped into the hallway.

Darkness awaited beyond her lamplight in both directions. Rachel was not accustomed to roaming the Temple of Mianamon after-hours. She and her friends had been here for the whole winter, but she had never walked these stone corridors when all was dark and empty. The familiar passage suddenly seemed ominous.

Still there, Kalia?

No response came. The acolyte could be unconscious. Or she might simply lack the energy to send another message.

Rachel passed several doors. No life could be heard behind them. No light seeped through the cracks. After rounding a corner, she reached the stairway that led down to the training room. Beyond the bubble of light from her lamp, all was silent shadow. Rachel knew that outside the section of the temple reserved for acolytes, she could find the human guards who protected their privacy at all hours. She also knew where she could find Jason, Drake, or her other companions. Or she could call out mentally to Galloran or Corinne.

But the painful experience of a failed command was best kept private. Kalia would not appreciate others seeing her in an injured, weakened state. Straightening her shoulders, Rachel started down the stairs. She arrived at the bottom and moved along a broad hallway.

The darkness retreated from her approach until Rachel reached the door to the main training room. It was slightly ajar. Rachel nudged it open and stepped inside.

“Kalia?”

A vehement Edomic command answered her inquiry. The words demanded that Rachel hold still. As requested, her muscles locked up, leaving her temporarily immobilized.

Rachel knew this command! The acolytes of Mianamon practiced an Edomic discipline that enabled them to issue directives to people. Upon her arrival at Mianamon, Rachel had known how to use Edomic to get some animals to heed certain instructions, but she had never guessed that she might be able to use similar tactics on humans.

Commanding inanimate matter with Edomic was straightforward—all matter and energy understood the language. You simply needed to accompany the proper words with enough focused willpower to demand compliance. If you tried to accomplish too much, you would fail and face a backlash of physical and psychic traumas.

With animals it was trickier. Edomic did not work well on living things. Instead of compelling animals, you had to make suggestions that they could either heed or disregard. Ask too gently and the animal would ignore the directive. Push too hard and you risked the consequences of a failed command.

Humans were even more complicated. You couldn’t really use Edomic on the mind. You couldn’t implant a complex idea. It was more like speaking to the spine, suggesting a reflexive response that the mind would counter once it caught up. Rachel now knew roughly fifty suggestions that might work on a human, most of them at the level of dog commands: stay, lie down, turn around, jump. In a moment of distress, Rachel knew, the ability to cause an enemy to temporarily freeze or flop to the ground might prove very useful.

Rachel had practiced this discipline for months. None of the acolytes could match her skill at it. For instance, most of the girls could not demand any form of compliance from Ulani, but Rachel could freeze her with a word. Conversely, even the most capable acolytes couldn’t make Rachel do much more than twitch.

Except now she couldn’t move!

The command had been uttered with power and expertise. It held her like no command had since her first day of training. Was her guard down because of fear? Sure, she was scared, but she was resisting the mandate the same way she had practiced. It just wasn’t working.

Rachel heard another muttered command. A black metal spike streaked toward her chest, gleaming in the light of her lamp.

Rachel still couldn’t move. Instead, she spoke in silence. Rachel had lots of practice moving physical objects. She telepathically ordered the spike to hold still. It stopped just over a foot from her chest, quivering in midair.

More words issued from the shadows beyond her lamplight. A robust will contended with hers, inching the spike toward her. Rachel had regained control of her body, but she didn’t want to advertise her recovery to her enemy. Instead, Rachel bore down and pushed the spike away. The will of her enemy broke, and the spike went sailing into a wall.

Rachel knew the location of many torches, cressets, and lamps in this room. With a word she illuminated several at once. The light displayed Kalia charging toward her, a knife in one hand, a long needle in the other.

Rachel commanded Kalia to fall to the floor. The acolyte obeyed, losing hold of her knife. Kalia tried to compel Rachel to freeze again. The expertly phrased directive worked for a fraction of a second, but Rachel was ready this time, and promptly reasserted control. She then countered by commanding Kalia to be still.

“What are you doing?” Rachel spat.

Kalia remained immobile for barely a second. The girl rolled over and looked up, red spittle leaking from one corner of her mouth. Rachel realized that when Kalia had lost control of the spike, the resulting failure must have injured her.

Kalia growled a command, and the knife darted at Rachel. Ducking to the side, Rachel seized control of the knife and put it to the throat of the acolyte. Holding it there took great control, but Rachel had practiced manipulating physical objects more diligently than any other Edomic discipline.

“Why?” Rachel demanded, panting.

Kalia spat blood. Sweat dampened her face. Her feral eyes were panicked and angry. Kalia was among the younger acolytes. Although she looked to be in her twenties, she was actually closer to fifty. Acolytes employed routine Edomic meditation to slow the aging process.

“Why?” Rachel repeated.

Kalia spoke a command, trying to seize control of the knife, but Rachel countered with a stern mandate, and Kalia’s effort dissolved, crushed by a superior will. Rachel angled the knife away as the acolyte doubled over, writhing in pain. The failed commands were taking a heavy toll.

“When did you get so good?” Rachel demanded. “You never moved objects.”

I never spoke in silence, either. The furious words burned in Rachel’s mind. He should have given the order earlier, before you had so much training. I could have taken you when you first arrived. I know I could have!

Who ordered this? Rachel pressed.

Use your imagination, Kalia communicated, her rage diminishing. My only solace is that he’ll get you yet. I chose the winning side. He asked too much of me at the wrong time. Bad for me. But it won’t save you. Mark my words. He’ll get you all.

You work for Maldor?

He’ll kill every last one of you!

Galloran burst into the room, his blindfold off, his torivorian sword drawn, several treefolk and human guards following in his wake. He looked from Rachel to Kalia. I sensed a great deal of Edomic in use.

Kalia jabbed the long needle into her thigh.

What have you done? Rachel asked.

Another inane question! How does such a simpleton access so much power? It’s infuriating! It’s disgusting! Kalia began to convulse. Red foam frothed from her lips.

“She tried to kill me,” Rachel explained, turning away in horror and disgust.

Galloran took her lamp, set it aside, then wrapped his arms around her. Rachel felt embarrassed that he must feel her trembling. But she was not embarrassed enough to reject the comfort. I’m so sorry, Rachel. I never would have guessed Maldor could have planted an assassin at Mianamon.

Where can’t he come after us? This is the one place in Lyrian where I felt safe!

The sad truth is that no place in Lyrian is secure anymore, no matter how remote. And the problem will only worsen. We’ve been planning to leave soon. Let’s make it tomorrow. We have stood still for too long.

Rachel clung to Galloran, wishing she could disappear. Kalia had set a trap and tried to kill her!

A man covered from head to toe in moss brought the knife and the iron spike to Galloran. “Both poisoned. Giantsbane. Just like the needle.”

“Later,” Galloran said. He waved a hand. “Leave us.”

The men and treefolk exited the training room.

“I’m so sorry, Rachel,” Galloran said again, still holding her.

Rachel felt bad for the amount of pain in his voice. “It wasn’t your fault. Thanks for coming so quickly.”

“I was a fool for allowing you to room so far from the rest of us. I should have foreseen this possibility. Thank goodness you saved yourself. I could feel the strength behind her commands. This traitor was no novice. I did not know that any Edomic adepts of her ability remained. She must have hidden here for a long while.”

“More than thirty years,” Ulani said, entering the room. She glared bitterly at the fallen acolyte, then shifted her attention to Rachel. “Are you all right?”

“I’m all right,” Rachel managed. “It’s all right.”

Galloran continued to hold Rachel close. “Maldor must have known we were preparing to leave. He wanted to strike before we departed.”

Rachel scowled a little, pulling back from the embrace. “Why didn’t the oracle know about her? Why didn’t Esmira see this coming?”

“I wish she had,” Galloran said.

“I never sensed any evil in Kalia,” Ulani said. “Nor did I perceive unusual power. Potential, yes, but unrealized. Perhaps Kalia knew how to shield her mind from scrutiny. Perhaps Maldor only got to her recently. We may never know. Esmira saw many things, but I can’t imagine she spent much time looking for traitors among us. We were too isolated, too united against the emperor and all he stands for.”

“He tried to kill me,” Rachel said in a small voice.

After a final hard look at the body on the floor, Galloran tied his blindfold in place. Apparently, he didn’t want any more details to reach Maldor through his displacer eyes. “Maldor would have rejoiced at your death. But he has some idea of your abilities. He should have recognized that this Kalia, although talented, was probably not up to the challenge. This attack may have simply been a test.”

Rachel huffed softly. “Rough test.”

“Maldor knows no gentle games.” Galloran put an arm around her shoulders. “Try not to let this rattle you. Take solace that you rose to the occasion. Thankfully, we’ve kept the details of the prophecy from all at Mianamon save Ulani. Even so, Maldor knows exactly where we are and may have deduced some of our intentions. As we embark on our quests, we’ll all have trials to face in the coming days. I fear this is only the beginning.”

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10 of 11 people found the following review helpful.
Gah!!
By akky3210
I haven't written a review in a while. In fact, when I look back on my reviews, they make me want to gag because they're so badly written. But that's besides the point--I couldn't NOT write a review for this book. I just...couldn't.

I bought A World Without Heroes the very day it came out. I bought Seeds of Rebellion the very day it came out. So it should come as no surprise that I bought this book the day it came out, and finished it that day too. And now it's been a week. And I've been spinning this book and this review and this series over and over in my head, and I can't not write a review. So, without further ado--

First things first: this book is DARK. Like, freakishly dark. As in, Mull probably could've--SHOULD'VE--gotten away with making his characters more like 17 or 18 than 13. (13!?) This book was definitely more Young Adult than Middle Grade. I felt that about the first two books as well, so it should come as no surprise that this book was essentially a punch in the gut emotionally. We go into the dang book knowing that--what was the phrasing--"the road to victory is paved with the blood of heroes"? We KNOW that.

About 40% in, I got really afraid Mull wouldn't kill any of my favorite characters. I had gone into this expecting some heavy-hitting, and I truly began to fear that we'd have lots of dead drinling spear-holders, but no one who we truly CARED about. I was wrong. Yeah. Lots of characters--BELOVED characters--are going to die. :(

But it doesn't make the characters growth and death and relationships less real or painful.

And ugh, the characters--Nedwin! Ferrin! (ah, Ferrin...) Tark, Rachel (Rachel!) Jason, Galloran, Drake--Jasher--Farfalee--Aram!! They are SO real. I find myself looking back at the book, wondering where they are now--are they laughing? are they crying? whatever happened to *I can't tell you because it would ruin the ending*?

This book was SO intricately done. Not intricately plotted, but intricately done. I am incredibly impressed with how Mull brought every single thread together in order to work this conclusion. The passing mention of "These Short Lives" in the Repository of Learning? The drinlings. I can't say any more--spoilers!--but I can say I am incredibly pleased with how this tapestry came together. I loved to see how this complex web of relationships and sacrifice and love was woven. And we got four--FOUR--chapters, plus a prologue, from Nedwin's POV, which had me LITERALLY doing a jig in my bedroom (not a good sight, I assure you)

And I think that what hit home about this book, to me personally--the power of LOVE against evil. The power of loyalty and honor getting us through the most difficult places (I'm lookin' at you, Nedwin!). The power of hope, and sacrifice, and belief in what seems the remotest chances, and...just...AGH! The emotions in this book are SO REAL, the grief is dealt with SO WELL, the conflicts are SO VITAL...

And the way the quests finally weave together--the influence they have on each other--the secret we discover at the end is so real and beautiful and PERFECT and unexpected and how-on-earth-did-I-miss-that and surprising and just...I couldn't stop laughing. I was truly afraid that whatever Jason set off to discover would be stupid or pointless or--worse--some random tidbit of information that totally turned the tide of the war with no PAIN behind it. Well, it was kind of that last one. I think readers will have a love-hate relationship with it, but it was still perfect.

I do have some complaints, of course. I feel like the ending was a bit abrupt, and I wish we had more of Jason's POV at the very end then we did, since he was the protagonist of the first novel. (I have my own opinions about the protagonists of the 2nd book and this one, but that's for some other time.) I felt that Jason's quest was never really concluded, even though we got what we were looking for. And I felt a little down about the way it finally, finally ended, though this epilogue was truly brilliant.

And that leads to my final question, dear readers-who-have-dug-through-my-awful-review. Is this story a tragedy?

I don't know.

Yes, good ultimately wins (because it's fantasy, after all, and if that's a spoiler to you then you need to read a different review (and I mean that as a jest)). Yes, evil is vanquished. BUT... at a cost. A tragic, beautiful cost.

And is this novel, this saga, a tragedy?

I still don't know. But it IS--I assure you--definitely, DEFINITELY worth picking up. Fablehaven is...nothing...compared to this. This, I think, is literature.

This is literature.

7 of 8 people found the following review helpful.
oh my god!!!!!!
By Thomas
This book was amazing i just wish there were more books in this series. I have followed this series from the beginning to the end. I wish the ending hadn't been so sad. :( but i thought it the book was well, in a huge understatement wonderful.

6 of 7 people found the following review helpful.
Very high quality fantasy
By Chad
I'll start with the cons (not too much). The Beyonders series is not quite Fablehaven, but it is very good nonetheless. The characters in Fablehaven are much more stronger than the characters in Beyonders. There is a ridiculous amount of characters in the Beyonders series, and most of them don't have much of a personality, especially Jason and Rachel. They aren't strong main characters, but the large pool of secondary characters make up for them. Also, as is standard with medieval fantasies, the characters talk in a more sophisticated manner than in other books. This shows quality writing to me, but I guess it can seem a little overboard sometimes.

I think this is one of the best books I've read in awhile. I almost completely forgot what has happened in the previous two books... Yet it didn't matter. The story is very gripping, and Brandon Mull has created an entire universe comparable to Lord of the Rings. The plot isn't necessarily original, but that doesn't matter. Brandon Mull has plenty of creativity and action in this series. Brandon Mull's writing is very high quality, this series is highly suggested.

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Kamis, 09 Oktober 2014

[D578.Ebook] Ebook The Changeling, by Kenzaburo Oe

Ebook The Changeling, by Kenzaburo Oe

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The Changeling, by Kenzaburo Oe

Oe introduces Kogito Choko, a writer in his early sixties, as he rekindles a childhood friendship with his estranged brother-in-law, the renowned filmmaker Goro Hanawa. Goro sends Kogito a trunk of tapes he has recorded of reflections about their friendship, but as Kogito is listening one night, he hears something odd. "I'm going to head over to the Other Side now," Goro says, and then Kogito hears a loud thud. After a moment of silence, Goro's voice continues: "But don't worry, I'm not going to stop communicating with you." Moments later, Kogito's wife rushes in; Goro has jumped to his death. With that, Kogito begins a far-ranging search to understand what drove his brother-in-law to suicide. His quest takes him from the forests of southern Japan to the washed-out streets of Berlin, where Kogito confronts the ghosts from his own past and that of his lifelong, but departed, friend.

  • Sales Rank: #461873 in eBooks
  • Published on: 2011-02-08
  • Released on: 2011-02-08
  • Format: Kindle eBook

From Publishers Weekly
Starred Review. In 1997, Juzo Itami, one of Japan's most successful film directors, jumped to his death in Tokyo. Nobel laureate Oe (Hiroshima Notes) was Itami's brother-in-law, and he transposes Itami's suicide, under a fictional disguise, into a dazzling and elaborate maze of memories and meditations centering on the suicide of film director Goro Hanawa. Goro has made a series of tapes for Kogito, his world-famous writer brother-in-law, as groundwork for a possible film, which Kogito listens to obsessively after Goro's suicide. To rid himself of Goro's ghost, Kogito travels to Berlin, but even there he runs into pieces of Goro's past. Eventually, the reader is led back to the two men's youthful involvement with a right-wing paramilitary group founded by Kogito's late father. What begins as a weekend spent at the group's camp turns into something sinister from which Goro emerges fundamentally changed. Oe's deft mix of high intellectual reflection and absurd slapstick scenarios is polished to a high gloss, giving this book a tone that may remind American readers of Saul Bellow's Humboldt's Gift. (Mar.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Japan’s greatest living novelist has brought the autobiographical novel and the roman � clef to the highest artistic distinction by merging them. His and his family and friends’ thoughts and doings are nearly always the stuff of his novels. This book opens with Kogito, a distinguished novelist, listening to audiocassettes just sent him by his oldest friend, Goro, a filmmaker. After his pal says he’s going to head over to the Other Side now, there is a loud thud on the tape. Goro’s voice returns, saying he won’t stop communicating with Kogito. Then Kogito’s wife interrupts to tell him that Goro has committed suicide by jumping off a roof. (Oe and Juzo Itami, whose Tampopo was an international hit, were longtime friends, and the latter’s 1997 death was identical to Goro’s.) Communication does continue, first as Kogito vocally responds to the tapes, then in memory while the novelist undertakes a guest lectureship in Berlin, where he meets Goro’s chaste, last young lover. The ghostly colloquy gradually focuses on an incident the friends shared as late teenagers in the sticks where Kogito grew up. As in previous novels and with comparable mastery, Oe deeply ponders love, sex, art, friendship, family, and death in a rich, psychologically acute rhapsody of narration anchored in personal calamities. This one ends with a willfully upbeat line by Oe’s fellow Nobelian, Wole Soyinka. --Ray Olson

About the Author
Kenzaburo Oe is also the author of A Personal Matter, Teach Us to Outgrow Our Madness, and A Quiet Life, among others. He has been awarded many honors, including the Prix Europalia and the Nobel Prize for Literature.

Most helpful customer reviews

16 of 18 people found the following review helpful.
A Life in Fractals
By Roger Brunyate
Fractal designs, such as used to be popular twenty years ago, have the property that any part of them replicates the whole in miniature. If you zoom in on even the tiniest detail, you can reach an understanding of the entire shape. This analogy occurs to me after reading THE CHANGELING by Kenzaburo Oe, a late work by the Japanese Nobel Laureate, and so far the only thing by him that I have read. Where most novels have a linear narrative behind them, this one reads as a series of one-sided conversations, thoughts about literature and other arts, buried memories, and some bizarre incidents -- all generally minor in themselves, but each seemingly endowed with immense hidden significance, each a clue to some overall design that only gradually emerges as the various details replicate and mirror one another.

Despite its abstract content, the book is easy to read and its framework simple. Kogito Choko, a celebrated writer, is listening to some tapes sent him by his brother-in-law Goro Hanawa, once his childhood friend and now a famous film director. At the end of one of the cassettes, Goro remarks "So anyway, that's it for today -- I'm going to head over to the Other Side now. But don't worry, I'm not going to stop communicating with you." Immediately after, Goro throws himself out of the window of his high building. Kogito (an obsessive thinker, aptly named by his father from the phrase "cogito ergo sum") engages in months of conversation with the dead Goro, playing snatches of the tapes, stopping them for his own response, and then continuing to hear his friend's answer. When his wife suggests he needs to get away, he accepts a guest professorship in Berlin, where Goro had himself lived a few years back.

As an example of Oe's method, take the chapter in which Kogito is being interviewed on television in connection with the Berlin Film Festival. There is a long section about how he gets to the interview, or almost doesn't get to it: crossed wires with the person picking him up, confusion at the hotel where this is taking place, description of the technicians setting up the equipment in the hotel ballroom, the physical arrangement of the chairs, backdrop, camera, monitors, all in obsessive detail. And then, without further preamble, Kogito is shown a number of film clips on the monitor: samurai fighting off a peasant army, and a modern game of rugby football. He recognizes it as scenes from a book he had written, entitled RUGBY MATCH 1860. In the novel, he had used the battle and the game as metaphors, but he intrigued by the decision of these filmmakers to film them literally, with an acute feeling for the Japanese atmosphere. He is told that what he has just seen is the only footage from the project so far shot, but the young filmmakers have run out of money; would he be willing to concede them the rights for free? Kogito's translator warns him that he is being ambushed, but he agrees, and the chapter ends.

The core of this chapter, I believe, lies in one of its smallest details, the samurai film clip. Certain aspects of it reflect other images we encounter involving Kogito's father, who appears to have been something of a philosophical leader of an ultra-right-wing movement opposing the Japanese surrender to the US. Kogito's own politics, on the other hand, are liberal, so perhaps he is the Changeling of the title? (Or one of them, along with Goro.) One begins to see that the whole novel is about change. In the background, there is the reconstruction of Japanese society after defeat. But this is worked out in terms of ideas -- translation between languages, translation of one medium into another (writing into film or opera), and perhaps (as the example above would suggest) the handing over of ideas from one generation to another.

The fractal metaphor works on the personal level as well. From what I can gather, this novel reflects themes from every other book that Oe has written, and these in turn reflect the author's life. His brother-in-law was indeed a famous film director, Juzo Itami, who committed suicide in a similar way. Like the fictional Kogito, Kenzaburo Oe has a son who was born brain-damaged, barely able to communicate in words, but who eventually found success as a composer. All Oe's subsequent novels contain such a character, and the writer has spoken of his aim to give his son a voice denied to him in life. While the composer-son plays a relatively small role here, Oe shifts the relationship back a generation, as Kogito tries to understand the legacy of his own father and the huge changes between the Japan of his time and that of the present. The themes of rebirth and the passing of the torch between generations become clear only at the very end, but after so much mind-play they bring a lovely touch of simple human emotion.

8 of 8 people found the following review helpful.
All alone on the Other Side
By H. Schneider
The master is back in grand style. I had given up on Oe as a novelist, after the rather boring previous Somersault. His latest, originally from 2000, but in the translated version copyrighted 2010, is a magnificent hoax, a piece of double talk strewn with traps and resonant with the basso ostinato of relentless self-mockery. I am sure there are even readers who are fooled into thinking that this is a piece of darkness, loaded with the search for the meaning of death. Is there life after death, is there a soul different from the body? Where does it go?

The novel is based on real life events, mainly a brother-in-law's suicide in 1997, but essentially all the way back to WW2.
Oe gives us a self-portrait under the name of Kogito Choko. The hero is a writer of international fame, a brooding man, with a handicapped son (who has turned into a composer). Even Choko's book titles are identical with Oe's. Kogito has most of Oe's life, he comes from a place in the hinterland, surrounded by forests. He had studied French literature, and later, after having become famous, taken teaching assignments in the US and in Germany. He speaks English that is hard to follow. Germany is his second foreign market, after the US. His fame has somewhat subsided, and there are opponents, specially a journalist at home, who likes to attack him viciously. He has a childhood friend, Goro, who has made it in the film world, as an actor and as a director. Goro has made a film of Choko/Oe's `A Quiet Life'. Kogito has married Goro's sister.

The story starts with a bang: the friend/ brother-in-law commits suicide by jumping from a high place. He had previously taken up the habit of sending Kogito cassette tapes with long ranting monologues. Kogito will listen to the tapes at night, and make his own comments. It is a dialogue of sorts. The comments are not sent back. There are 30 tapes.

One day, while listening to a tape, Kogito hears an announcement from Goro that he is now going to the other side, and that he will stay in contact. Then follows a noise like a thud, which Kogito will later call the Terrible Thud. Then he hears Goro say some more words.
Later he learns that the suicide had happened some hours before. From then on, listening and re-listening to the collected tapes becomes an obsession, as does looking for other ways of contact with the friend, who is now assumed lonely on the Other Side.

We learn that Goro had messed with Kogito's life since a long time, setting up hoaxes, with him and also against him. Together they had cooked up the project that Kogito would invent an unknown, unpublished, aging Japanese writer, would publish conversations with him, would start inventing pieces of the man's work, would then let him die and then start editing the man's life work, thus merging into him.

We find that the tapes are full of similar pranks. Kogito is thus manipulated, from the `other side' so to say, into accepting a teaching job in Berlin in the winter 1999/2000. This excursion turns into an expedition into Goro's past, and possibly into the reasons for the suicide.
As the lives of the two men were intertwined for decades, the expedition also leads into Kogito's own past, and beyond that to his father's role as a leader of a short-lived right-wing insurrection which had tried to oppose Japan's surrender. Kogito has made enemies by his literary treatment of this past.
In a ponderous way we are gradually dragged into a literary mystery with a political dimension, where the awareness of time and of causality becomes shaky. The word cogitacious (or cogitational?) does not yet exist, but I propose to admit it to general use for books like this. Or do you believe Oe calls his `hero' `Kogito' for no reason?

The book's language is cogitacious not just in content, but also in style. That requires some getting into. As I don't read Japanese, I can't tell if it is equivalent to Oe's own style. It might well be that Oe builds walls to make it harder for us to enter his hermetic world, or to make us believe that he is serious.
It could also be the translator's fault. Since the text and the story move in the cultural rectangle of Japanese, English, French, and German, we meet quite a few international quotes and names. I am not always convinced that either Oe or his translator has handled all those quite properly. I have noted some cases, but won't bore you with them. They are trifles, but should be removed for a next edition.

A great novel, a true Nabokovian delight, just in time to revive my confidence in contemporary writers. Oe is not done yet. The book picks up on his old themes and works them into his new life story chapter. More should follow.

11 of 13 people found the following review helpful.
Unique masterpiece
By Jonathan A. Weiss
Kenzuboro Oe deserved the Nobel prize but is a very erratic writer with some defective works interspersed with major accomplishments. This book may be his best. It certainly is quirky so that it may not be to everyone's taste. The story which intertwines lives and changes narrative perspective (successfully) in the last section actually revolves around tape recordings by a person who committed suicide after a triumphs in the movies in a dialogue with a novelist who shares traits with the author. Quite a conceit. The pivotal event in the past deals with the novelist's father's last patriotic suicidal attack on a bank. The novel is richly textured, very vivid, carefully reflective, the characters extremely well portrayed. Sometimes the writing seems as if were meant to be translated as explanations of Japanese phrases follow. Immersion in this book will produce a profound understanding of post World War II Japanese reactions and the intellectual world that then developed. An adventure indeed and one worth taking for any lively mind.

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Selasa, 07 Oktober 2014

[H204.Ebook] Free Ebook The Portable Kristeva, by Kelly Oliver

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The Portable Kristeva, by Kelly Oliver

Julia Kristeva is a linguist, psychoanalyst and cultural theorist. This text provides a representative selection of her writings since the mid 1970s. The essays are arranged around major Kristevan themes: "The subject in Signifying Practice"; "Psychoanalysis of Love"; "Individual and National Identity"; and "Maternity, Feminism and Female Sexuality". They reflect her most salient contribution to the fields of philosophy, literary and cultural theory, linguistics, psychoanalytic theory and feminiist theory.

  • Sales Rank: #3228903 in Books
  • Published on: 1997-04-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.16" h x 5.91" w x 8.81" l,
  • Binding: Paperback
  • 464 pages

Review
It has been apparent for some time that Julia Kristeva has inherited the intellectual throne left vacant by the death of Simone de Beauvoir.

About the Author
Julia Kristeva, internationally known psychoanalyst and critic, is Professor of Linguistics at the University de Paris VII. She has hosted a French television series and is the author of many critically acclaimed books published by Columbia University Press in translation, including Time and Sense: Proust and the Experience of Literature and the novel, Possessions. Kelly Oliver is associate professor of philosophy at the University of Texas, Austin.

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1 of 1 people found the following review helpful.
Wonderful and pedagogically useful book.
By George Sand
very helpful overview, for teachers and critics. A lucid presentation and organization of Kristeva's career and material, recommended and useful , rewarding purchase.

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Senin, 06 Oktober 2014

[O818.Ebook] PDF Download Historical Dictionary of the 1950s, by James Stuart Olson

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Historical Dictionary of the 1950s, by James Stuart Olson

Today, Americans look back nostalgically at the 1950s, an era when television and rock and roll revolutionized popular culture, and Vietnam, race riots, drug abuse, and protest movements were still in the future. With homes in the suburbs, new automobiles, and the latest electrical gadgets, many Americans believed they were the most prosperous people on earth. Yet the era was tainted by the fear of thermonuclear war with the Soviet Union, deepening racial tensions, and discontent with rigid roles for women and the demands of corporate conformity. A sense of rebellion had begun to brew behind the facade. It manifested itself in rock and roll, the budding civil rights movement, and the appearance of a youth culture, eventually exploding in the 1960s.

Providing a comprehensive overview, this book includes entries on the prominent people, major events, issues, scandals, ideas, popular culture, and court cases of the decade that gave rise to the tensions of the 1960s.

  • Sales Rank: #4668564 in Books
  • Published on: 2000-07-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .81" w x 6.14" l, 1.67 pounds
  • Binding: Hardcover
  • 360 pages

From Booklist
An A-Z survey of the decade, from The Abbott and Costello Show and Acheson, Dean to Zinjanthropus (the first possible human ancestor discovered by Louis and Mary Leakey in Africa) and Zorro. Libraries that have found Olson's Historical Dictionary of the 1960s and Historical Dictionary of the 1970s [both RBB Ap 15 00] useful will want to add this volume. REVWR
Copyright � American Library Association. All rights reserved

Review
..."this dictionary provides a solid introduction to the period, making it a useful tool for undergraduates."-ARBA

?...this dictionary provides a solid introduction to the period, making it a useful tool for undergraduates.?-ARBA

.,."this dictionary provides a solid introduction to the period, making it a useful tool for undergraduates."-ARBA

About the Author

JAMES S. OLSON is Distinguished Professor of History at Sam Houston State University, where he has taught since 1972. He is the author of more than 20 books on U.S. and world history, including Historical Dictionary of the 1970s (Greenwood, 1999) and Historical Dictionary of the 1960s (Greenwood, 1999).

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Jumat, 03 Oktober 2014

[O282.Ebook] Download Electronic Torture, Electronic Rape: Technology and Gang Stalking at the Post Office, by Krayan Jewel

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Electronic Torture, Electronic Rape: Technology and Gang Stalking at the Post Office, by Krayan Jewel

In Electronic Torture, Electronic Rape, the author recounts how gang stalkers attacked her and attempted to destroy her family, career, and life. She describes the torture of non-lethal weapons.

  • Sales Rank: #1976803 in Books
  • Brand: Brand: Infinity Publishing
  • Published on: 2011-10-07
  • Released on: 2014-12-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .36" w x 5.50" l,
  • Binding: Paperback
  • 156 pages
Features
  • Used Book in Good Condition

About the Author
Jewel Krayan is a pseudonym. The author needs to remain anonymous, for her own safety and the safety of her family. The names of the criminals and all persons involved have been changed. The names of locations have been changed. Any similarity to any person or place is purely a coincidence. Gang stalking and the use of non-lethal weapons are fast growing crimes. It could happen to any one, any place.

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12 of 12 people found the following review helpful.
Great book
By Denise
The author does an excellent job of telling a surreal story of violence. It is an account of gang stalking and "mobbing" in the workplace. The technological harassment and torture she describes is so bizarre, anyone who has not experienced it, will have a difficult time believing it. However, if more people write about it, it will be published in the mainstream press and more widely acknowledged.
I purchased the book because since 1999, I and my family have been victims of gang stalking. From 1999-2003, I was tortured with some variety of directed energy weapons. Gang stalkers turned our home into a torture chamber. Electricity seemed to mysteriously spin from all our lights.
I hid frequently in rooms with no lightbulbs, covered my body in blankets, protecting what little health I had left. My hair fell out in clumps. There was no way to report what was going on in Austin,tx. My doctors did not know what happened to me. My family is older, and did not comprehend how they were getting sick, and still do not know. I was able to stop the DEW's with more modern lighting, such as LED's more recently.
I am so glad Jewel wrote this book, so this violence will be made more public. She did a god job explaining the psychology behind gang stalking and the mental illness of the stalkers and those who enable them. I appreciated her insight. My life was ruined by stalkers, I can really connect with this author. Thank you, jewel.

11 of 11 people found the following review helpful.
Gang stalker murder attempt on co-worker
By Martin
"The point of gang stalking is to cause a death, the ultimate ego trip for these criminals... The target is selected because a stalking criminal is jealous or feels slighted. The cult begins a smear campaign of lies about the target, discrediting and scapegoating the target," from the book's introduction.... True crime story about organized stalking at a US Post Office. Reveals how a psychopath and some envious people gain control and single out a target for destruction. The narrative is splendid, easy to read, the story itself is horrifying. I like to thank Jewel Krayan for this book. It's one of the few out there on gang stalking. Not only kids gang up on each other, adults do it too. (Some of the non-lethal weapons described in this book sounds almost unbelievable. But remember, the gang stalkers' aim is to drive the Target insane. And that may cause the Target to misinterpret or imagine things..... Notice, though, that directional sound and microwave-beaming devices do exist. They are for real. A popular name for these DEW's and NLW's would be sound-gun and microwave-gun. If used for harassment purposes they may cause the death of a Targeted Individual).

12 of 13 people found the following review helpful.
Outstanding review of an organized assault on the author's life.
By Bridget Howe
Jewel and I have several things in common. We are both single women, we are both Christians, and we are both being targeted by a senseless ruthless organized crime ring. She does an excellent job of reviewing the psychological mind game tacticts used agInst her. She describes perfectly the merciless use of electromagnetic weapons which her stalkers used to try to destabalize her mental health and destroy her physical well being. She is a beautiful artist but she reported to me that the EM assault on her mind resulted in brain damage which significantly impacted in a negative way her ability to paint. She also reveals how Law Enforcement and the mental health system are involved in the destructive stalking web. Stalkers also deceived family and friends in their insane, irrational destructive game and gained their cooperation. She is one of many voices speaking out about an insideous destructive organized crime ring networked all over America and around the world.

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